Tuesday, March 1, 2016

Ballet Class Etiquette

Hello!  I found this article online and thought it very relevant to our every day at ESB and Vimy.  Although most of the time, most of our students really understand this, a reminder doesn't hurt!

1)      Be on time.  This does not mean stroll into the class room at 7:01 with your hair down, shoes in hand, your favorite hoodie wrapped around you, and gum in your mouth proclaiming to the entire class that you are late because you couldn’t find one of your shoes.  This means, be waiting at the door 5 minutes prior to your start time with your hair in a bun, shoes on, leotard and tights only, and no gum.  It’s pretty easy when you think about it.  With the exception of the first week, you know when class begins and it usually remains this time every single week.  By a certain age, you are unable to blame your parents for your tardiness or carelessness.  Every minute of ballet is crucial. 

2)      Know the dress code.  Whether you are at a recreational studio, competition studio, company, college, or ballet academy, almost all dance schools appreciate or ask girls for hair in bun, tights, leotard, and ballet shoes.  Some allow you to wear sheer skirts.  Boys are asked to wear tank tops and either male tights or tighter fitting pants.  This isn’t because your teacher has it out for you and wants you to freeze when you walk into class.  This is so she can properly correct you and so that you may properly execute your movements without distraction or falling. 

A)     When you put your hair up, make sure that it is up tightly so that you don’t have to adjust it during class at all.  Nothing irks a teacher more than a student starting an exercise late because she had to put her hair back up. 

B)      Be sure the elastic & ribbon is sewn properly on the ballet/pointe shoes.  If you have questions about where to sew it, ask your teacher.  I’m willing to bet that he or she knows the answer.  In addition to this, make sure you have proper shoes no later than the 3rd class. 

C)      Be aware of your leotard and tight color.  While florescent yellow may make the best fashion statement to show that you are an individual, ask yourself if it’s distracting to students while they chaine’ across the floor.  If the answer is yes, consider changing leotards. 

D)     If the teacher asks you to remove the t-shirt or shorts that are over your leotard, don’t get down on your knees and beg to keep them on.  Refer to the first paragraph in #2 and know that it’s for your own good. 

3)      Be mindful of barre space.   While you may be attached to the middle of the barre because you’ve stood there since you were a tot, know that class sizes change weekly and you may be asked to move.  Adjust gracefully.   Again, this isn’t because a classmate or teacher has it out for you.  This is so nobody gets kicked or knocked out during barre exercises.  After all, who wants to stop a fantastic ballet class to call 911?!

4)      Respect your classmates.  Ballet is not social hour.  You are there to learn and have fun.  This isn’t the time to confront ‘Sally Jo’ that she stole your boyfriend or that she stood in your space at the barre.   They are there to learn and have fun as well.  Although not every student has to be your best friend, keep in mind that you have at least one thing in common- and that is dance.  In addition to this, if ‘Sally Jo’ wants to ask the teacher what a plie’ is because she forgot, remind yourself that there are no stupid questions.  If it doesn’t concern you, don’t acknowledge it. 

5)      Body Language.  One thing a teacher looks for in students when they are evaluating them is attentiveness.  Whether or not you know it, you are being watched.  Know the preparation for both barre exercises as well as across the floor exercises and stand in them- whether it’s first position, tendu, B+, etc.  I guarantee your preparation doesn’t involve one popped knee with one hand on your hip with the other twirling your hair.  However, many students seem to think that all ballet exercises begin like this.  Be aware of your legs and arms at all times.  Keep your chin up and your ears open.  Just because a teacher isn’t correcting you at that exact moment does not mean that the correction doesn’t pertain to you.  Which brings me to my next thought…   

6)      Take corrections.  When a teacher corrects you, it isn’t because she is dying to hear herself speak.  The teacher is there to make you a better dancer.  An incorrect response to a correction would be “No, I wasn’t” or “’Sally Jo” moved so I couldn’t spot her.”   Take responsibility for your own actions.  Say “Thank you.” Or “I wasn’t aware I was doing that and I will fix it for next time.”  Or, if time permits, show the teacher that you can do it correctly.  Teachers appreciate that. 

7)      Respect the teacher.  Most dance instructors are so because, like you, they love to dance.  99% of them have the qualifications and/or the equivalent of qualified experience and want to share their knowledge with you.  What many students and dance parents do not realize is that dance instructors work many many off hours unpaid to better the student.  This often involves making lesson plans and syllabi, editing music, choreographing, picking out costumes, recital planning, etc.  They work hard and expect you to work hard as well.  This means that while you are in class, you are listening, focusing, and pushing yourself.  While you are out of class, it is up to you to practice and maybe even study your ballet terminology. 

8)      Have fun and remember why you dance in the first place.  Everyone dances for different reasons.  Some dance for exercise and flexibility.  Some dance to learn to be less clumsy and more graceful.  Some dance just for fun.  Some dance for the trophies.  Some dance to clear their minds.  Some dance to learn new moves.  Some (but very few) dance because they are forced to.  Whatever the reason is, make the best of it.  Have fun.  Be grateful.  Thank your parents and your teachers, and then give yourself a pat on the back for taking class. 

Dancingly Yours,
Miss Jaime

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Sports and Dance - Some Parallels

Miss Krista, ESB and Vimy Dance teacher read this article and thought that though it's written about sports, it has many parallels to our world of dance.

Why Coaches Hate Over-Involved Parents

Tuesday, February 16, 2016

What Ballet Means to Me

What Ballet Means to Me
by Erin Madsen

I had my very first ballet class at age 7. My mother was my first teacher. She decided to teach dance in our small town because she said that she needed activities for my sisters and I to do to “keep us out of trouble”. It was something she knew and enjoyed so thought it would be good to share with us and the other children in town. I was young so I didn’t understand what that meant, but was excited for the opportunity. From that very first class it was LOVE!

I don’t think she, or anyone else thought it would mean so much to me. I was a chubby little girl and didn’t really look the ballerina type, but I connected to the art right from the beginning and couldn’t get enough.

At the age of 12, my family was faced with my desire to dance taking me away from home. This was not what either of my parents was hoping for, but my mother knew that staying in my small town would not be enough to take me to my dream. It was settled. I was going to Edmonton to audition for Alberta Ballet School. I attended their summer school and stayed with a few other girls in a billet. I spend 4 weeks training in a new place and familiarizing myself with living in a “big” city, while my family prepared to move here. I’m pretty sure it was not what my father or my sisters wanted, but my mother saw the many problems of staying in that small town and was determined to give her daughters more opportunity.

At the end of my summer school, I was called into the principal’s office, Miss Deborah Morgan! She was probably the most intimidating teacher I had to this point and I was terrified to sit in her office. She looked a piece of paper and then at me. There was a long pause and then she spoke. “Your thighs are too big and developed wrong. I do not have the time to fix them, you will not be invited to stay for the year”. I thanked her for her time and left. It was devastating. Was I wrong to want this so bad? Rejection hurts.

My mother then enrolled me in summer school at Edmonton School of Ballet. This was a very different experience. I worked with some very interesting teachers: David Adams, who became a large influence in my life, Maria Bokor, Clinton Rothwell and Eve Noonan. Mrs. Flynn had my mother in to her office and offered a place in her school. I was so elated, but my mother was not convinced it was what I needed. She searched the city for a ballet teacher she had seen at Alberta Ballet School, when I attended at age 9. I did not have this teacher because she only taught the majors. At last, my mother found her teaching at Marr Mac! We immediately went there for an assessment class.

That was the beginning of an amazing, difficult, frustrating journey. I dealt with great pain from my hips that almost forced me to quit. Thank goodness Mrs. Skinner was a good friend of the Artistic Director of Alberta Ballet, Mr. Lambros Lambrou. We were able to connect with the company’s physiotherapist and get on the road to recovery. Mrs. Florence Skinner was my lifeline and the most amazing teacher I had have worked with. She helped me get from having massive pain in my hips and doctors telling me to quit dancing, to completing my Advanced RAD exam at the age of 15. Because of her, I was invited to many master classes and company classes, when they came into town. I even went back to summer school at Alberta Ballet School and received the most precious compliment from Mrs. Deborah Morgan, truly the most gratifying moment in my young life. I had offers to dance in a company in Switzerland, train at École Superior in Montreal and train at the Goh Ballet in Vancouver, but my family would not allow me to leave home.

This felt like the end of the road for me. Being young and immature, I couldn’t see what I could do for a few years before my parents felt I was old enough to leave home. What do you do after you have your advanced, if you are not joining a company? That is all I ever wanted to do.

Many things happened between my best summer, training at the Banff Centre for the Arts, and that fall. My parents separated and later divorced while I was away. I was told my place was to help my sisters. I tried to continue with my training, but there was no money to pay for my classes anymore. The roadblocks just got too big. Then, my ballet teacher told me she was moving to Vancouver. She offered to take me with her family so that I could continue to train, but again, my parents were not on board. No money for my dance, no way to move forward, Alberta Ballet left Edmonton. It felt like all my opportunities were slipping through my fingers.  I felt there was no other choice. I had to hang up my pointe shoes. I loved Ballet far too much to end up hating it and I never wanted to resent all the time I spent doing it.  

Life became difficult. I lost my way and lost my drive. Made some not-so-good choices, but I am not one to dwell on regrets. This deep-rooted love was always there in the back, just waiting for the moment to resurface. When I had my first child at age 19, my whole world changed. I knew that I could not provide for him working a minimum wage job, but what could I do? Then my dream of ballet started again. He brought me full circle to my one love. I decided that I would go back, but this time, I would be learning to teach. I found a new direction for my passion and joy. What better way to live than sharing my biggest joy with young aspiring dancers?

From that moment on, I have not been able to step away from the studio. I love what I do. I love the inspiration it brings to new generations and I hope that one day they will look back and feel the same joy as I do. It is such an honor to share this beautiful art with so many wonderful children. Life always gives you an opportunity to find your passion. I found mine at a young age and I am so blessed that I am able to experience it every day. I fill my days learning as much as I can and working to become better than I was the day before.


Thank you to all my wonderful students! You continue to challenge me to grow. I know it is cliché, but I truly feel I learn more from you than you will ever learn from me. Follow your heart! Find what inspires you and go after it! Never let anyone tell you you’re not good enough. The choice is yours!!

Thursday, February 11, 2016

Why Dance Needs Older Dancers

Our Director of Contemporary Dance, Tina Covlin-Dewart wanted to share this interested article with you!  It is posted on the Out.com online magazine.


Why Dance Needs Older Dancers

Wendy Whelan

Monday, January 25, 2016

An inspirational thought

Miss Krista Soleski - teacher at both the Edmonton School of Ballet and Vimy Dance saw this and wanted to remind you about the important message it shares!


How to Prepare for Your Ballet Exams

Miss Carmelle McKinlay, teacher at Vimy Dance, thought that this article would be of great help for all of you who have RAD exams coming up in the next month or so!  It also applies to upcoming tap exams, Jr., Ballet Progressions, and Cecchetti exams too!  Good luck with your preparations and your exams!  Ballet Blab - a blog for ballet teachers and dancers has many other great articles you might like to read!

How to Prepare for Your Ballet Exam

Dancer: Emily Whittome Photo: Alexis McKeown Photography
Dancer: Emily Whittome
Photo: Alexis McKeown Photography

I remember my first ballet exam. I ran into the studio, started Pliés and my legs where shaking so much from nerves I was sure I’d fail. The nerves finally calmed down and I did fine on my exam in the end. Since becoming a teacher, I’ve put my own students through for their yearly ballet examinations for over two decades now and over time, have discovered a few practical steps that I hope will help you perform your best on exam day.  Exams should be an exciting and satisfying (not terrifying) experience if you’re fully prepared for the level of exam you are taking.  The feedback you receive from your Examiner helps you discover your personal strengths and weaknesses within your dancing.  

To read more click here!

Tuesday, January 19, 2016

Pursuing Dance After Graduation

Pursuing Dance After Graduation – by Stephanie Lilley

Students and studio owners often ask me what dancers should do if they want to pursue the art after high school.  There are some great options available but the most important message I try to deliver is that you are responsible for creating your own opportunities.  This blog entry will focus on my dance career thus far and how I have been able to survive as a dancer in Edmonton.  Although not exhaustive, the five main options to dancers after high school are:

·         further dance training,
·         pre professional and professional company work,
·         teacher training or teaching,
·         post secondary dance and performing arts programs, and
·         cruise ship contracts and industry work.

It is important to note that these are not mutually exclusive options. There are also many complimentary activities such as teaching fitness or yoga and performing in other disciplines. After training at a competitive studio in Edmonton for my teenage years, I switched to a more technically focused studio after I graduated (100 years ago…).  I continued to train and to teach as I studied General Arts at the University of Alberta. When I was 19, I was offered a cruise ship contract which was to last 9 months and travel the Caribbean. I obtained this contract through video audition but it is very important for dancers to attend live auditions as well. I took a break from university to pursue this opportunity and also received my group fitness teaching certification while abroad.

Upon returning home (and changing majors and faculties), I continued my studies while still training and teaching.  I discovered the dance group on university campus and supplemented my training by taking Orchesis classes.  Also, around this time, I got serious about cross training and also took up running and yoga.  These proved to be hugely helpful for my dancing.  I found that the more classes and workshops I could take with different teachers and styles, the richer my dance education was. 

Through Orchesis, I met one of my dance mentors, Laura Krewski. Not only did she get me involved with teaching at the university but she also invited me to work on a project with her company, Freefall.  This was my first company experience and I was thrilled to be dancing modern jazz under such a strong role model.  The project was short termed but it wet my appetite for further company experience.  As I grew as a performer, I began to take on more roles dancing in fashion shows, fundraisers, conventions and the like.  These industry shows were project based but often led to valuable networking and ultimately further projects. I found that my personal interactions with directors and employers were as critical to my success as my dancing. Like most dancers in Edmonton, I have always been self managed and not used an agent.  This means I have had to sell myself and be own ambassador.  Many very talented dancers have not succeeded because they have ignored the business side of their careers.

 When I was 22, I decided to take a second cruise ship contract.  I negotiated with my professors at university and was able to finish 2 courses by correspondence while abroad.  The cruise ship world is not for everyone.  I was very homesick (the downside to falling in love) and was not interested in the party lifestyle aboard the ship.  I ended my contract early and came home to start the 6th (and final!!!) year of my undergraduate degree.  I continued to train, teach and perform in industry shows while going to school.

When I was 25, I started my master’s degree in business and got engaged, all the while I kept dancing! Once I got married, I was starting to look for different performance opportunities in Edmonton and because of my husband’s Ukrainian background, I became interested in the Ukrainian Shumka Dancers. Having never danced or trained in the genre before, I relied heavily on my previous ballet training and was invited to join the artistic and management teams as well.  Shumka provided me with such a fruitful experience.  I toured across Canada and China, learnt a new genre of dance, gained invaluable directing experience, and honoured a family tradition.  I was fortunate enough to perform roughly 200 times over 5 years with Shumka. At the same time I started with Shumka, I also danced with Citie Ballet.  Although a wonderful experience, I was spread too thinly and did not return for a second season.  

My true passion is in contemporary, modern and jazz dance and although Shumka offered many performance opportunities, I was not able to connect to Ukrainian dance the way I was with the aforementioned genres.  The highlight of my dance career has been running my own contemporary dance company.  I started Viva Dance Company in 2012 so that I could finally put a name to all of the freelance and industry jobs I was performing in.  I recruited the most talented and dedicated dancers I knew and dove in head first.  We have performed in over 100 shows including Fringe festivals across Canada and in Orlando, Florida. We are the resident dance company for Western Canada Fashion Week in Edmonton.  We have performed at many fundraisers, corporate events, festivals (Nextfest, Feats Fest, Skirt Afire Festival, Kaleido Festival, Festival Hatzafon, etc.), industry shows and open houses.  I was the dance coordinator and hired Viva to dance in this season’s Singing Christmas Tree.  All this and I simultaneously grew 1½ babies (I am currently 15 weeks pregnant).  

Although unorthodox, a professional dance career in Edmonton is possible. It is not true that you have to stop dancing after high school.  It is not true that you have to stop dancing when you get married. And, it is not true that you have to stop dancing once you start a family.  My most heartfelt advice to my beloved students at Vimy is

  • ·        take as many classes from as many different teachers as you can,
  • ·         remain humble and receptive,
  • ·         go to as many auditions as you can,
  • ·         always dance hard, you never know who is watching,
  • ·         give attention to the soft skills around managing your career, and
  • ·         most importantly: CREATE YOUR OWN OPPORTUNITIES!